Vol. 2 No. 1 (2026): Celebrating Indigenous Studies Across the Globe
Artistic Practices

Weight of Inheritance

Published 2026-04-03

Keywords

  • ancestral knowledge,
  • Ancestral Epistemologies,
  • traditional ceremonies

How to Cite

Danger, D. (2026). Weight of Inheritance. The Canadian Journal of Indigenous Studies , 2(1), 218–222. https://doi.org/10.36939/cjis/vol2no1/art71

Abstract

Dayna Danger (they/them) is a Two-Spirit, Indigiqueer, Métis-Saulteaux-Polish visual artist, hide tanner, drummer, and beadworker. Working across photography, sculpture, performance, and video, Danger's practice reclaims space and power over society's projections of sexuality and representation, centering women-identified, Two-Spirit, transgender, and non-binary people. The cover art photograph documents Danger's process of crafting a bone scraper from a moose leg bone. Ancestral hide-tanning knowledge passed down through their family and inspired by the traditions of their great-great-grandmother, Marie-Thérèse. The blue rope seen in the image connects the practical work of hide tanning to ceremony, symbolizing the living continuity of Indigenous knowledge that colonialism once tried to erase.